“Those opportunities do come along over the course of a career,” notes Baker. “If you stick around long enough, someone will say, ‘We’d really like to use your song for Ford pickup trucks’ or ‘Union Carbide is building a new plant in India and we’d like to use your song’ or whatever. We get opportunities and we say ‘no, no, no.’ But occasionally something fits. We drink wine. We like wine. So when the opportunity came along to pair with a winemaker and get involved, we said ‘That’s a natural thing.’ And, you know, we’ve all been curious about cannabis for a long time…”

“I’ve always wanted to try it,” laughs Langlois.

“So this seems like a natural thing,” says Baker. “For probably 30 years, we’ve been saying it’s going to be legal. It’s inevitable that they have to make it legal because the current policies are stupid. Prohibition doesn’t work. It’s a bad idea. There are a million reasons why it should be legal and there are no good reasons why it shouldn’t be legal. So it was inevitable.”

Sinclair is, by his bandmates’ own admission, the most knowledgeable of the bunch on the fine details of sativas versus indicas, the effects of ingesting this strain or that strain, and what accompanying accessories from the best online head shop they should buy to help the smoking process become that much more enjoyable.

Indeed, it fell to him at the New Farm on Tuesday to announce the five Hip-approved cannabis strains that will be available for purchase on “legalization day,” Oct. 17 – which, in an odd twist of fate, will be a year to the day after Gord Downie’s death.

“It’s amazing. It’s a tribute to the country that we can actually push this through,” says Sinclair. “Socially, it’s a really good thing. I’m not an advocate or anything, but everyone needs to take the edge off once in awhile and everybody likes to have fun and so many people who’ve maybe not tried it before would benefit from smoking weed instead of, for instance, drinking the brown water. It might be a really, really good thing.

“It’s amazing that they’ve done it nationwide, too. That’s such an important thing. We toured down in the States after it became legal, up and down the west coast, and it was great – you’d go to a dispensary in Washington and try another one in Oregon and then do the same thing in California. But then you’d make a left turn and the ‘federales’ are literally waiting at the New Mexico border to tear your tour bus apart so that they can send you to prison for the rest of your life.”

The Tragically Hip’s involvement with Up Cannabis does not, of course, signify a return to action for perhaps the most beloved band in Canadian history – one whose final performance on the Man Machine Poem tour at Kingston’s K-Rock Arena on Aug. 20, 2016, was watched live by roughly one-third of the country’s population.

There can be no Tragically Hip without Gord Downie. The rest of the band is clear on that.

“We have very similar social circles – the three of us, especially, since we’re in Kingston in general – and we collaborate on various things,” says Langlois. “Sometimes it’s recording with other people; other times I’ll be in the studio and I’ll ask Gord to come in and sing backup or Robbie to put a pedal-steel on something I’m working up, and vice versa. These guys have worked on a couple of things together. So everyone is still a musician. We’re not getting together and playing Hip songs or that kind of thing, but we’re not going to stop being musicians.”

Why tarnish the perfect send-off that was that final tour, after all? Langlois, Baker and Sinclair concede they’re all still in awe of how their lifelong friend Downie managed to pull off that last run at the road. And then top it off with the activist project Secret Path – a harrowing multimedia depiction of the final days in residential-school escapee Chanie Wenjack’s short life – and last year’s stunning farewell solo album, Introduce Yerself, to boot.

“No one worked harder than Gord,” says Sinclair. “When we started those first few shows, we were playing worried. Like, we were watching him. And I’m speaking for myself, but towards the end you would kind of forget that he was sick. We’re a band, so when he was strong, we were strong, and we were getting stronger and stronger to the point that you’d forget and you’d go, ‘Wow, what a great show’ and then you’d sit back with each other afterwards and then you’d realize, ‘Oh, he’s a very sick man.’ It was really cool – the power of the audience and how hard he had to work to get there and how hard our crew worked to get us there.”

“You saw Gord get stronger over the course of 15 shows,” nods Baker. “The outpouring of love lifted him up and gave him strength, which allowed him to continue on and do the other projects he had. I made no secret of it that I wasn’t a fan of the idea of going out and doing the tour because my fear was that it was going to be a public funeral every night for 15,000 people, and I couldn’t have been more wrong. It really was a celebration. It was pretty awesome.”

“It’s great that he got to do that,” says Langlois. “He was obsessed, through his radiation and getting sick, that he wanted to do the tour only because he was just remembering, ‘Wait a second, we did a record, right? We’re supposed to tour.’ And he f-ing did it, and then Secret Path was another obsession, just to see if he could do it. And he gathered all the strength to do it, I think, just from being out on the road and getting to say goodbye to all these people.”